Last week and just in time for this weekend’s Journées du Patrimoine (heritage days) the French Minister of Culture and Communication, Frédéric Mitterrand, announced a new label for historic houses in France, Maisons des Illustres – quite literally, houses of the illustrious. The houses that have been awarded this new badge of honour were not only singled for their historical value but also because of who lived in them; in fact the historical significance of these houses is defined largely in terms of their illustrious inhabitants.
Maisons des Illustres

The Maisons des Illustres Logo
- Louis Pasteur in Franche Comté
- Pierre-Auguste Renoir in Provence-Alpes-Côte d’Azur
- Jules Verne in Picardy
- Victory Hugo in Upper Normandy
- Charles de Gaulle in Nord-Pas de Calais
- Alexandre Dumas in Ile-de-France
- François Mitterrand in Poitou-Charentes
For those with a particular interest in archaeology, more specifically Egyptology, the Champollion family house in Figeac, Midi-Pyrénées, has been included on the list.
Champollion Museum, Figeac
Jean-François Champollion (23 December 1790 – 4 March 1832) is known for having deciphered Egyptian hieroglyphics. He was also instrumental in encouraging the king of France, Charles X, to buy a collection of over 2000 Egyptian antiquities that would then form the basis of the Louvre’s Egyptian collection for which it is now world famous. Champollion was in fact the first director of this musée d’antiquités égyptiennes at the Louvre. So it is not surprising then that this man’s home should be recognised today as one of the maisons des IllustresLess well known as an archaeologist is Jean-François Champollion’s older brother Jacques-Joseph Champollion. Along with five other siblings the brothers were born in Figeac, in a modest house on rue de la Boudousquerie, since renamed rue des Frères Champollion. This renaming of the road was part of a substantial development during 2005 and 2007 of what was once the Champollion family home and had since 1986 been a rather simple museum honouring the life and work of Jean-François Champollion, as well as a gesture to acknowledge both brother’s contribution to archaeology. With financial assistance from the EU, the French state, the Lot Department and the town of Figeac, the rather simple Musée Champollion was transformed into a modern state of the art museum. Neighbouring properties were acquired, and the front of the building was radically altered. To a very contemporary façade of stone, glass and metal, that stands out from the surrounding, traditional townhouses, the graphic artist Pierre di Sciullo added a million hieroglyphs and other letters from various alphabets around the world to create a façade that is now noted as a piece of art in its own right. La façade aux mille lettres makes clear the new focus of the museum.
Renamed the Musée Champollion – Les Écritures du Monde is now the only museum in Europe dedicated to the history of writing in Europe. Not only does the museum quite naturally tell the story of Jean-François Champollion and his work deciphering Egyptian hieroglyphics, but with many beautiful, original artefacts the museum explores the development of writing in many different cultures around the world.
A worthy candidate for Les Maisons des Illustres.
Veronica,
A great comment by your husband! I think museums and their displays should ‘challenge’ their visitors, not ‘comfort’ them. So if your husband felt he knew less, the musée Champollion is obviously doing its job! In my opinion, this is a problem with some of the grand big museums, you come away feeling comforted, feeling like you can now tick another box on the list of ‘must see attractions’.
I can highly recommend this museum. It’s really well designed, and fascinating for anyone interested in words and language. It makes you question what you think you know; when we came out after several hours, my husband said, “That was a good museum, I know less than I did when I went in!” And meant it as a compliment.